Introduction
From the Maqluqat of al-Hariri
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Few astronomical instruments have had an active lifetime as long as the astrolabe. Although it perhaps never made
an impact in astronomy comparable to that of the telescope, its compactness and versatility easily made it the most treasured
instrument of astronomers and astrologers from the flowering of Greek science until well into the modern age. It was regarded
as the instrument par excellence of the stargazer and Urania’s children are rarely seen without it in the art and the
literature of the East and the West.
In essence an astrolabe is a portable, usually flat instrument made of brass which depicts the positions of the
prominent stars in the sky relative to the observer’s horizon. With a well made astrolabe, an experienced user had a powerful
observing instrument and computational device at his disposal. The correct time could be determined to the nearest few minutes
at any time of the day or the night, and conversely, for a particular moment and place, the positions of the celestial bodies
relative to the observer’s horizon could be obtained. Further diagrams served for solving practical surveying problems such as
measuring the height of a tower or the width and depth of a moat. Islamic astrolabes often featured additional diagrams for
determining the prayer times and tables which served as astrological compendia or as gazetteers from which the correct orientation
to Mecca could be read.
Although many of these operations could also be done just as well, or even more accurately, with other instruments
such as sundials or armillary spheres, the unique combination of all these functions in a single instrument light enough
to carry around easily explains its popularity. In the West it held this special status until the late seventeenth century, when it
was rapidly made obsolete with the development of accurate and relatively cheap mechanical time-keepers and the introduction of precise
geodetic surveying instruments equipped with telescopic sights. In the East, however, they were to be used until well into the nineteenth
century.
The astrolabe was developed in three distinct varieties. Mathematically speaking, they can be viewed as instruments which
project the three-dimensional celestial sphere on to three-, two- or one-dimensional reference surfaces.
- The spherical astrolabe (Arabic asturlāb kūrsī). In this case the observer’s
horizon is drawn on the surface of a globe, mounted with a freely rotating spherical lattice work or ‘spider’ representing the celestial
sphere. Only a few examples of this type have been preserved.
- The planispheric astrolabe (Arabic asturlāb sathī; Latin astrolabium planisphaerium). In the most common form of the
astrolabe both the celestial sphere and the observer’s horizon are projected on to one or more plane surfaces by means of the stereographic
projection. This type proved to be the most popular and the most convenient in use and will only concern us here. A further distinction
was made between the particular astrolabe which served only a limited number of latitudes and the universal or catholic
astrolabe which could be used at every latitude.
- The linear astrolabe (Arabic asturlāb khattī). In the most abstract version of the astrolabe the celestial sphere and the
observer’s horizon are projected on to a line. Although the most simple of all forms, being nothing more than a finely graded rule, its
rules of operation proved to be so impractical that no examples have been preserved.
In the literature (and also on this website) astrolabes in museum and private collections are usually identified by an
International Instrument Checklist (CCA, IC, ICA or IIC) number for medieval and Renaissance instruments. Currently, the IC numbers are assigned as
follows:
- 0002-4000 – astrolabes described in the literature up to 1973.
- 4001-5000 – astrolabes described in the literature after 1973.
- 5001-6000 – quadrants.
- 6001-7000 – sundials.
- 7001-8000 – globes.
- 8001-9000 – miscellaneous instruments.
- 9001-9999 – fake instruments.
For more details, see the following astrolabe surveys and related publications:
- Gunther, Robert William T., The Astrolabes of the World: Based upon the Series of Instruments in the Lewis Evans Collection
in the Old Ashmolean Museum at Oxford, with Notes on Astrolabes in the Collections of the British Museum, Science Museum, Sir
J. Findlay, mr. S.V. Hoffman, the Mensing Collection, and in other Public and Private Collections} (Oxford: Oxford
University Press, 1932), 2 vols. – reprinted in 1976 in one volume by The Holland Press (London) – describes the IC
numbers up to 336.
- Price, Derek J. de Solla, “An International Checklist of Astrolabes”, Archives Internationales d’Histoire des Sciences,
8 [= Archeion, 34] (1955), 243-263 & 363-381 [local
pdf copy] – describes the IC numbers op to 1189.
- Gibbs, Sharon L., Henderson, J.A. & Price, Derek J. de Solla, A Computerized Checklist of Astrolabes (Yale: Yale University
Department of History of Science and Medicine, 1973) – describes the IC numbers up to 3924 (*).
- King, David A., “Medieval Astronomical Instruments: A Catalogue in Preparation”, Bulletin of the Scientific Instrument
Society, nr. 31 (1991), 3-7 [SIS link],
- Linton, Leonard, World Astrolabes Inventory (Point Lookout [NY]: Leonard Linton, 1992) – includes a description of the
private astrolabe collection of Leonard Linton (1922-2005), now largely preserved in the Museum of Islamic Art in Doha (Qatar)
(*).
- King, David A., “Bringing Astronomical Instruments Back to Earth: The Geographical Data on Medieval Astrolabes (to ca. 1100)”,
in: L. Nauta & A. Vanderjagt (eds.), Between Demonstration and Imagination: Essays in the History of Science and Philosophy
Presented to John D. North (Leiden [etc.]: Brill, 1999 [= Brill’s Studies in Intellectual History, nr. 96]), pp. 3-53
[cf. Appendix 5].
- King, David A., A Catalogue of Medieval Astronomical Instruments
[Frankfurt link] – in preparation [last update: May 2002].