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Tears - Falling Certainty

Artist: Tears
Title: Falling Certainty
Label: self produced
Length(s): 21 minutes
Year(s) of release: 2004
Month of review: [09/2005]

Line up

Corkidas Constantinos - piano, keyboards
Deligiannis Tassos - drums, percussion
Matagos Yannis - guitars, backing vocals, all vocals on 2, 4
Politis George - bass
with
Mylonas Panagiotis - lead vocals
Papadimitriou Aris - drums on 1, 5

Tracks

1) Things Imaginary 5.00
2) Self Destruction Part I 0.42
3) Self Destruction Part II 5.44
4) Self Destruction Part III 4.45
5) Time Master 4.37
6) A Beginning After Each End 0.58

Summary

This mini demo cd I obtained from a Greek band. Good to notice that some Greek bands in our style still exist, I do not know of many that do.

The music

Things Imaginary opens with melancholic piano. It continues in this verin being a very melancholic and melodic tune.

The first part of Self Destruction is a relatively short and sparse one: vocals mainly. This is very different on Self Destruction Part II, which is very proggy and with plenty of bombast. The vocals are catchy, a bit folky even, with plenty of pace. The vocalist is not that great and the music sounds a bit messy here, a bit uncontrolled. This also is a consequence I would think of the fact that the production is not great. This also shows on Self Destruction Part III, which signifies a return the dramatic vocals of earlier. There is something akin to Ange here, but with a sadder feel to it. Listen to that lone guitar for instance. The title of the band is well chosen. The vocals are a bit rowdy, almost like in a progmetal ballad. And later the guitars do set in somewhat so the progmetal feels does not get any less. There are multiple vocals here, and they aren't particularly well-arranged. Hence, the result is a bit of a mess again. I hear some likenesses to Twelfth Night, the underproducedness, almost punkishness, the overall sad effects and also a bit the melodies that are used. It is a glancing similarity, but still.

Time Master is a typical progmetal song, with the band moving this way and that. I do not hope the band will be taking this road, ending in faceless powermetal. A Beginning After Each End is the short closer, with echoey, acoustic guitar.

Conclusion

This demo cd has the usual problems: lack in production, lack in restraint and vocals that do not come over particularly well. The genre of this and wanders between progmetal and dramatic neo-prog with some folkiness in the pacey third track. Not bad, but music such as this needs more technical detail and a better performance. It also seems to me the band still is not sure what road they will travel: towards melancholic pop or to progmetal. As such it does not yet offer something coherent.

© Jurriaan Hage