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Vanden Plas - Far Off Grace
Artist: | Vanden Plas |
Title: | Far Off Grace |
Label: | Inside Out IOMCD 043 |
Length(s): | 60 minutes |
Year(s) of release: | 1999 |
Month of review: | 08/1999 |
Line up
Andy Kuntz - vocals
Stephan Lill - guitars
Torsten Reichert - bass
Gunter Werno - keyboards
Andreas Lill - drums
Tracks
1) | I Can See | 4.01
|
2) | Far Off Grace | 7.03
|
3) | Into The Sun | 6.33
|
4) | Where's The Man | 6.11
|
5) | Iodic Rain | 6.14
|
6) | Don't Miss You | 3.51
|
7) | Inside Your Head | 6.55
|
8) | Fields Of Hope | 6.46
|
9) | I'm With You | 6.43
|
10) | ?? | 5.42
|
Summary
Quite a history already, but this is the first album of theirs that
I put in my CD player. I have reason to believe that the names
Inside Your Head an Iodic Rain got interchanged, so I switched them.
The music
opens powerfully with I Can See. Especially the vocal melody
of the chorus and the arrangement thereof (with the backing vocals) of this
song are striking. Add to this the powerful guitar chords and the drums
hacking away and we have a fine example of progmetal right here. The title
track follows next and is a ballad, that becomes quite a bit louder during
the track. Again the song is really not bad with some nice keyboards
in it and a bombastic chorus. The verses are bit boring though, and the
alternation between them offsets the balance in the song. After a short
but clear guitar solo, we come to a rather long passage of lone piano after
which the vocals set in again, and it works better now.
Into The Sun is the next one up. Heavy guitars and rather extensive layers
of keyboards open this bombastic track. Like the first track the vocals are
rather accessible and the harmonies somewhat American sounding (compare with
Royal Hunt). The music is definitely progmetal, but also quite catchy and
again some tasteful additions on keys. After a promising opening, this track
sinks in a bit during the vocal parts. The piano playing against the vocals
is nice. For the rest the song is quite similar in style to the previous songs
with catchy harmonies, lots of power, not fast, some breaks and nice and even
good melodies. Iodic Rain is a driving track, taking some gas back for the
vocals. As tends to happen on this CD I hear echoes of things I know, but
never clear enough to identify them. In this case I think the keyboards in the
back in an early part of the song are to blame. Later we even get a keyboard
solo and also a great driving guitar solo. Don't Miss you is the "love" song
of the album. The beginning is good: a good melody, tasteful piano and cello.
The lyrics are a bit strange: somebody doesn't love somebody or miss her,
but wants that person to die in his arms (seems like the kind of denial that is
also present in 10CC's I'm Not In Love). This chorus is in fact the weak part
of the song, but all in all this is a good ballad, compared to the usually
boring ballads that I tend to hear. Quite melodramatic. Keyboards and acoustic
guitar open Inside Your Head. Then the pace goes up a bit and after some more
acoustic guitar the rhythm guitar takes over. The music revisits the opening,
but quickly we return to the loud and catchy chorus and a closing guitar solo.
A powerful and driving track, which takes up my attention for its full length.
After some Asiatic music the song breaks loose. The vocal parts unfortunately
deflate the song a bit. Later on, the vocal parts are more involved and include
even some chaotic making backing vocals. The closing track should be I'm With
You, which is again ballad. Again, the arrangements of the vocals together
with the backing vocals in the chorus is very good. The music picks up a bit
now with more involved drumming, a keyboard solo and the guitar making its
grand entree' and at the end the piano plays a reprise of an earlier track.
The bonus track (or did they maybe forget the title on the cardboard sleeve?)
goes more into the direction of metal with its double bass and more riffbased
approach. This does not mean however that the song lacks melody or keyboards
(it doesn't). In view of the lyrics my guess would be that the song is called
Kiss Of Death. A driving song.
Conclusion
This a rather typical progmetal album, as always well-executed. The songs are
not particularly great, but above average and there are plenty of good
melodies around. I like the vocalist and although the keyboards play a minor
role, the keyboardist is not listed up there for nothing. Now to the
compositions. The music is not overly complex or anything and fortunately the
band doesn't fiddle very much, but on the other hand, it happens that after a
good start the song has to wind down too much to come down to the level of the
verses and then that takes all the drive from the songs, since I do not get
the feeling that the bridge is natural enough. Still, I think most progmetal
fans will at least want to take a listen to this rather energetic album in
which the good, catchy harmonies and the sometimes extremely melodic guitar
strike me as the most important ingredients. Still, save for one single second,
a full hour of satisfying progmetal that does not bring anything new, but that
comes off rather well compared many of the other bands around.
© Jurriaan Hage