Home            Artist links            Label link

Album cover

Peter Emmer - Peter Emmer

Artist: Peter Emmer
Title: Peter Emmer
Label: MusicNet Club ZG 0002-2-331
Length(s): 66 minutes
Year(s) of release: 2004
Month of review: [12/2005]

Line up

Peter Emmer - guitar, bass, programming
Csaha Racz - cello on 10
Henry Toth - guitar on 6 and 10
Istvan Alapi - guitar on 9 and 11
Laco "Culo" Nagy - vocals on 15

Tracks

1) Passion 4.28
2) Crossroads 4.01
3) Euthanasia 4.20
4) Just Funk 3.46
5) Roxana 5.10
6) Little Bit Of Soul 4.57
7) Goodbye 4.20
8) Quiero Mas 4.28
9) Virus 3.59
10) Home Coming 3.32
11) First Time 3.26
12) 1984 4.48
13) Summer Love 4.43
14) Why? 5.29
15) Promised Land 4.46

Summary

Strange to obtain this cd from Stereo Periferic. They seem to be doing the distribution. Looking at the titles, this can hardly be prog, but who knows. In case you are wondering about those titles: even if you know songs with the same title: these were all written by Emmer himself.

The music

Passion is a rather typical guitar hero track, with quite a bit of space for keyboards. But the focus is on the meandering guitar, that is sure. In places, this song is quite nice, especially when the keys lay the accents behind the guitar. The song has drive, but could have more of that if the drummer had taken some more chances.

Crossroads is more of a funky rock track, and has nothing to do with prog whatsoever. To me, this is quite boring. Euthanasia is more of a laid back track with moody guitar lines. A bit like DO Go Gentle Into That Long Night... A melodic tune, a bit too in fact.

With a title Just Funk, he goes too far again. This is all way too bouncy for my tastes. Although the drumming is on the whole too straightforward, I did not notice immediately that we have a drum computer here. A good drummer might have helped to enhance the groove and aid versatility, but they are not that easy find, and the question is whether the overall record would really improve.

Roxana is a typical guitar ballad, melodic, plenty of meandering on the guitar too, and some acoustic guitar in between for a warmer, relaxed feeling. At the end a Santana like outburst.

As such we move through the remainder of the songs, which do not bring much new: alternating between melodic and less melodic (usually more groovy and percussive tunes), with a bit of bite here and there, but also some very poppy material (like on the Celine Dionesque Goodbye), there is nothing challenging to be encountered. Sometimes the music may veer to Santana or to jazzrock, and even an occasional acoustic guitar only tune (Home Coming), but that is it. On Why? and Promised Land the openings are very synthy. The latter is a moody track somewhat in the vein of Peter Gabriel with a Western twang.

Conclusion

Although I spent some time on it, this album has no business on these pages. This is guitar music, and not very thrilling guitar music either. The music is generally quite melodic, with plenty of meandering on guitar. The rhythmic side of things is very straighforward. File under guitar hero.

© Jurriaan Hage