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Projekct Two - Space Groove
Artist: | Projekct Two |
Title: | Space Groove |
Label: | Discipline Global Mobile DGM 9801 |
Length(s): | 39+51 minutes |
Year(s) of release: | 1998 |
Month of review: | 03/1998 |
Line up
Robert Fripp - guitars
Trey Gunn - touch guitar, guitar synth
Adrian Belew - drums
Tracks
Disc 1:
Space Groove
1) | Space Groove II | 19.03
|
2) | Space Groove III | 2.40
|
3) | Space Groove I | 17.13
|
Disc 2:
The Planet Zarg Quartet
1) | Happy Hour On Planet Zarg | 4.56
|
2) | Is There Life On Zarg? | 2.25
|
3) | Low Life In Sector Q-3 | 1.32
|
4) | Sector Shift | 0.46
|
5) | Laura In Space | 3.17
|
6) | Sector Drift | 0.54
|
7) | Sector Patrol | 3.41
|
Lost in Space
|
8) | In Space There's No North, In Space There's No South,
|
| In Space There's No East, In Space There's No West | 2.52
|
9) | Vector Patrol | 3.41
|
10) | Deserts Of Arcadia (north) | 8.57
|
11) | Deserts Of Arcadia (south) | 4.11
|
12) | Snake Drummers Of Sector Q-3 | 0.26
|
13) | Escape From Sagittarius A | 10.53
|
14) | Return To Station B | 3.03
|
Summary
Another album from the Discipline stable featuring a sub line-up of
the immaculate King Crimson.
The music
In my opinion, however, this sub line-up is not as untouchable as KC.
The music on the just sub twenty minute opener Space Groove II is
free form and long drawn. As one might expect it's lots of drums, guitars
and some more synth like sounds from Gunns guitar synth. The varied drums
are especially quite loud, making the music sound more modern and although
I certainly wouldn't go as far as to call it house, there are at least
some links with it. It has to be said that the rhythms are usually quite
complex and there is plenty of variation. On the other hand, the music also
has a rather strong jazzrock component with added something that makes
the music sound spacious: long drawn synth sounds. The name Space Groove,
the song that takes up this first entire CD, is particularly well-chosen.
Space Groove I is rather short and features sounds vaguely world-like
(comparable with Jon Hassell) with elephant-like guitar, while the closing
part of the disc contains a lot of Soundscaping but against a percussive
background (and some soloing as well). On this track the music is certainly
more ethereal and owes less to jazzrock.
The second disc Vector Patrol seems to consist of two tracks: The Planet Zarg
Quartet and Lost In Space. The first of these starts with rather friendly
guitar and (partly) reversed percussion. During the rest of this multi-faceted
excursion into sound we encounter many sonic spaces such as the cosmic
Laura In Space and the comparatively melodic Sector Patrol.
In Lost In Space the band pleasantly froebels on with playful percussion,
sitar like strings, heavy, screaming guitars, chaotic sounds, low-key jazz
rock, dark cosmix, claustrophobic rock and whatever else comes into their
minds.
The booklet contains a tongue-in-cheek sf story on the band.
Conclusion
Not too fond of this album. Jazz-rock, space-rock, loud percussion, improvised
and with lots of fiddling going on. There are some soundscapes here and
also quite a lot of soloing, but all of it is with lots of percussion.
This might be a nice trip for some people, but I think I'll stay home this
time.
© Jurriaan Hage