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Album cover

Runaway Totem - Tep Zepi (L'Era Degli Dei)

Artist: Runaway Totem
Title: Tep Zepi (L'Era Degli Dei)
Label: Musea FGBG 4465
Length(s): 55 minutes
Year(s) of release: 2002
Month of review: [03/2003]

Line up

Virhur - keys, samples
Nezah - bass
Cahal de Betel - vocals, guitars
Tipheret - drums

Tracks

1) Aurea Carmina 4.52
2) Sacro Re 7.56
3) Pardes 6.44
4) Iperborea 11.40
5) Montsalvat 6.14
6) I 4 Signori - L'Isola Sacra 5.16
7) I 4 Signori - I Guardiani 5.44
8) I 4 Signori - Akasha 6.26

Summary

Tep Zepi is the fourth album by this Italian outfit.

The music

Opener Aerea Carmina has something of a coral: booming voice and accompaniement close to church choir, even though instrumental. The track is finished by a lengthy closing.

Sacro Re starts the theme more rocky, with strong guitar and keys. This moves on to a more devout sounding section, carried by church organ, and military drum. After this intro, taking up more than half of the track, the carried voice returns. The track is finished with strong guitar.

Pardes starts with complex riffs & rhythms, to quickly move on to a key section dominated by sampled voices. The middle section is dominated by a guitar solo, leading to a closing with the return of the keys.

Iperborea features vocals that move more towards regular singing, although the strength of Cahal de Betel's voice is apparent. The keys and guitars once again dominate most of the track, supported by enchanting drum rhythms and military rolls. The middle section is led in by piano, later supported by synth and a rather sharp sounding guitar. Double voiced chanting takes us towards the closing, dominated once again by the sharp guitar sound.

Montsalvat opens with high pitched sampled vocal keys, leading into a guitar line. The synths are more melodious, less supporting here.

The threepiece I 4 Signori stars with a slow telling intro, preparing for the dramatic vocals. Despite containing both and guitars, opener L'Isola Sacra appears to be less a wall of sound than the other tracks. I Guardiani is dominated by a guitars sound somewhat more technical than that on the other tracks, although it does see some vocals as it moves on. The synths in especially this second part sometimes show themselves to be as artificial as they are a bit too clearly. Closing part Akasha adds some dramatics to give a fitting closer.

Conclusion

Tep Zepi has become quite an opus. With that it's become the most consistent album Runaway Totem made to date, as it has become the strongest. The dramatics you might expect from an Italian band are there in abundance

© Roberto Lambooy